Lorenz Hart and Oscar Hammerstein II could not have been better collaborators for Rodgers, although each had vastly different approach than the other. With the help of Ian Whitcomb, Ken Peplowski and friends compare the way Rodgers wrote with each of them. With subjects both humorous and serious, we explore a range of topics such as “Spring" (Hart’s "Spring is Here"/Hammerstein’s "It Might as Well Be Spring"), "Music"("I Like to Recognize the Tune"/"Do-Re-Mi"), and "Love/Hate" ("It’s a Lovely Day for a Murder"/"I’m Gonna Wash That Man Right Out of My Hair").